Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Hirst, Claude Raguet
Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf

ID: 39162

Hirst, Claude Raguet Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf
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Hirst, Claude Raguet Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf


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Hirst, Claude Raguet

American Painter, 1855-1942  Related Paintings of Hirst, Claude Raguet :. | A Janpanese Tale | A Gentleman-s Table | On the Library Table | The Bookworm-s Table | Unidentified Open Book Propped against Two Stacked Volumes,with Red Background |
Related Artists:
MORALES, Luis de
Spanish Mannerist Painter, ca.1520-1586 Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely.
RUOPPOLO, Giovanni Battista
Italian Baroque Era Painter, 1629-ca.1690
Pontormo, Jacopo
b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo






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